Sunday, December 8, 2013

You're dreaming of someone, and it's not me

Songs

Andhim - Boy boy boy

File under 'catchy'.


The The - Uncertain smile

A gem from a somewhat forgotten band from the New Order/The Cure/The Smiths era.


Arcade Fire - Afterlife

The new stuff from these Canadians is more electronic and danceable, but still good though.


Crystal Antlers - We all gotta die


Warpaint - Love is to die

Not sure if I really like the more electronic direction they're heading in, but like this new track nevertheless. Saw a good show by these girls in the AB last November.


London Grammar - Strong

Up and coming new band, originally from Nottingham.


Los Campesinos!

Los Campesinos! - Avocado, baby

Single of the new "No blues"-album. "A heart of stone/Rind so tough it's crazy/That's why they call me/ the avocado, baby". I still have a soft spot for this band.


I kind of ignored their 'Hello Sadness'-album when it first came out, but finally discovered some gems:

Los Campesinos! - By your hand

"I'm not sure if it's love anymore/But I've been thinking of you fondly for sure" & "My gracious companion/with your eyes of doe and thighs of stallion"


Los Campesinos! - Black bird, dark slope

"So sad to be me"


Los Campesinos! - Hello sadness

"It's only hope that spring's eternal/and that's the reason why/this dripping from my broken heart/is never running dry"


Makthaverskan

Really love the second album by this Swedish band. Been listening to this over and over. Sounds a bit like Björk/Nina Persson if they had The Cure/The Drums as a backing band. Really into the heartfelt vocals. Favourite tracks: Antabus/Asleep/Something more/Outshine/No Mercy.
"You came in my life, showing me the bright lights/I was blown away/The first boy to show me love/then takes it away the next day when I had lost myself/Fuck you for fucking me when I was seventeen/You knew it all the time/You never loved me you wanted to own me/Your time will come, my friend"


Duyster lijst favorites

For the first time ever, the radio program Duyster that specializes in quiet, fragile music, decided to let their listeners vote their favourite songs to make up the 'Duyster lijst'. Below you'll find some of my favourites tracks that made the list.

The Postal Service - The district sleeps alone tonight

The number two of my personal top three. Benjamin Gibbards morose lyrics mixing well with Jimmy Tamborello's blips and bleeps. Probably the only track in the list that makes you want to dance a little near the end.


Great Lake Swimmers - Moving pictures, silent films

The surname is of the singer is 'Dekker'. Thought I'd mention that. My track of choice by this band probably would've been 'I am part of a large family'.


Bright Eyes - We are nowhere and it's now

Conor Oberst knows how to pen down a song, and the album contains several other gems like 'Lua'.


Warpaint - Undertow

It was nice surprise to come across these LA ladies in the list. 'Undertow' is probably their most accessible track.


Sigur Ros - Svefn-G-Englar

This was the seminal Duyster-track in the early Duyster-days, so it's a shame really that it only made it to place 28.


The Notwist - Consequence

Used to like this band a lot in the early 2000's, but then lost track of them a little. Other tracks: 'Pick up the phone', 'The pilot', 'Chemicals'. Likely the only German band/artist in the list.


Sophia - So slow

"Death comes so slow"


Pinback - Tripoli

Another seminal band from the early days of Duyster. 'Loro' is another classic track by Pinback.


Beach House - Myth

Hard to really pick a favourite track by this band. I had the song 'Irene' by this band as the number three in my top three.


Grandaddy - He's simple, he's dumb, he's the pilot

'The Sophtware Slump' is one of my favorite albums from the early 2000s. Other gems: 'Broken household appliance national forest' and 'Miner at the dial-a-view'


Daughter - Youth

The fact that they played a sold-out show early November probably accounts for the rather high 8-spot Daughter occupies. One of the few ladies to populate this list.


Band Of Horses - The funeral

Definite classic from their 'Everything all the time'-album.


Bon Iver - Perth

A track from Justin Vernon's second album.


Explosions In The Sky - The only moment we were alone

A well-deserved number one spot for this track (it was also the number one in my list). Good starting point into the postrock-genre. Great, great title too.
Other great tracks by the same band:'First breath after coma', 'Your hand in mine', 'The moon is down', 'With Tired Eyes, Tired Minds, Tired Souls, We Slept'

Friday, October 25, 2013

Review: Savages @ Le Grand Mix, Tourcoing 23/10/2013

Slightly dreary October weeknight. A pretty well suited meteorological backdrop to the gig I was anticipating the most (albeit slightly, Warpaint in two weeks is also a solid contender) in late 2013: All female band Savages, evoking the early eighties vibes of bands such as Joy Division and Siouxsie and the Banshees.

Historical event in my personal history, the first time I can remember travelling abroad by myself to witness a musical performance. This is of course a slightly moot point, as Tourcoing is geographically way closer than Antwerp and Brussels, where I have also attented shows in the past. Nevertheless, venturing into France is always an adventure for easily disoriented persons such as myself. All it takes for me to get completely lost are slightly different road signs and road lines. Whereas I am sometimes nostalgic about days past, when going on an adventure by car in unknown territory, I am always happy and grateful to live in a time where a GPS is commonplace. Also present at Le Grand Mix, one of my top 5 favourite couples celebrating their 4 years together. Congrats again, Bram and Rosalie!

Opening act Johnny Hostile turned out to be a solo project. Johnny playing guitar, accompanied by a drum machine, reminiscing - not unlike the headliner of the evening - the darker music that came out in the eighties. When Jehnny Beth from Savages joined him on-stage for one track, comparisons to 'The Kills' automatically came to mind. Not bad, yet hardly memorable.

Savages then occupied the stage. I had expected them to play about 40 minutes, but they played nearly every song they have (apart from the instrumental track 'Dead Nature' and closing track 'Marshal dear' from the full album), and entertained the crowd for about an hour. It's always gratifying to see a band at a stage in their musical career where they still need their whole back catalogue to fill the setlist. Never any "I had hoped they would play this or that track"-complaints. Sound was adequate to good, and the stage performance was vibrant. The band dressed in mostly black, adhering closely to their own image.
Having watched some Youtube videos before the show, I noticed however that the Tourcoing performance lacked the punch I saw in some of the other live videos. Every musician was playing good in their own universe, but they seemed to be out of sync with each other for just a split second, which was nevertheless sufficient to slightly break the magic of complete synchronicity. It's possible that this was due to some technical issues the band wrestled with gracefully throughout the set.
Frontwoman Jehnny Beth is originally from France, so she had no problem addressing the crowd in their native language (even though a substantial part of the audience audibly crossed the border from Belgium just like myself). 'Il y a des hommes sauvages' when a heckler roared in the crowd and an (overly ironic) "les femmes ne connaissent rien du technique" when her monitor temporarily gave up the ghost among the headlights in that department. Apart from that, she's a frontwoman with an intense presence that really engages the crowd.
The set overall was well-balanced, opener 'I am here' serving well as a letter of intent. Weakest track in my opinion was 'I need something new', which couldn't really hold my attention. Luckily, the band recovered quickly. Definite highlight was the "Waiting for a sign/Flying to Berlin"-combo, the groovy nature of the latter contrasting well with the slow, brooding vibe of the former. Energetic single 'Husbands' also did not miss its mark.
Despite the minor criticisms I formulated earlier, my high expectations for this show were definitely met by a band on top of their game. I definitely see them going places, and urge you to go check them out if you're in the mood for a truly engaging, sizzling, contemporary post-punk live performance.

Setlist:

I am here
City's full
Shut up
I need something new
Strife
Waiting for a sign
Flying to Berlin
She will
No face
Hit me
Husbands
Fuckers

Sunday, September 22, 2013

Essential tracks by The Strokes: Top 10 and top 15

Listening to Room On Fire (it had been a couple of years) earlier this week, I decided to list what I consider to be the most essential tracks by The Strokes. Album-wise, it's pretty easy: 'Is this it?', 'Room on fire' and 'Angles' are all good and consistently so, 'First impressions of earth' is mediocre at best, and 'Comedown machine' does very, very little for me.

Here we go: (everything apart from the top 3 listed in random order)

Top 10


1. Under control

It's a ballad-type song, but yet, it sounds powerful, and has a retro feel. (Making the superposition of The Virgin Suicides-footage work really well).


2. Hard to explain

Most people think of 'Someday' and 'Last nite' when discussing the 'Is this it?', but I always preferred 'Hard to explain'. Indestructible.


3. You only live once

The only track of 'First impressions of earth' to make it in my top 10 and top 15, on this light and poppy track, with a jumpy rhythm, we see The Strokes steering away even further from the garagerock sound of their early days.


Taken for a fool

A verse riddled with start-stop mechanics coupled with a rock chorus with a piercing riff. My favourite track off 'Angles'.


Reptilia

Second single off the 'Room of fire'-album. Definitely a solid bass intro, and I love the (long) bridge onto the "Our lives are changing lanes/You ran me off the road"-chorus.


Barely legal

Playful album track off the debut album.


The end has no end

Third single off the 'Room on fire'-album. Soundwise comparable (guitars almost sounding like keyboards) to first single '12:51', but this single has more to offer in the songwriting department, in my opinion.


Macchu Picchu

Also going for pop sensibility and almost reggae-esque rhythms, the second single that came off the 'Angles'-album.


Take it or leave it

Closing track off the debut album. The Strokes at their most urgent.


Meet me in the bathroom

One of my favorite 'Room on fire' album tracks. Riff-wise not too far away from some of the material 'Kings Of Leon' would come out with a couple of years later.


Because 10 tracks is not enough to feature all my favourite tracks, I need a top 15.

Top 15


What ever happened?

Opening the 'Room on fire'-album with a bang.


The modern age

Second track on the debut album, driven by a repetitive verse that lasts for over a mintue until we reach the chorus.


Between love and hate

Slower "Room on fire"-track, with Julian repeating "Never needed anybody/It won't change now" throughout the song.


Soma

Another debut album track, with some catchy guitar riffs.


I can't win

Final track on the 'Room on fire' album, that sounds pretty chipper, which contrasts with the resigned lyrics.


Wildcard


Life is simple in the moonlight

Interesting track, didn't make the top 15, but notable due to its lack of percussion.